CHAPTER II


When Maggie entered the studio on the Duchess's third floor, the big,
red-haired, unkempt painter roared his rebukes at her. She stiffened,
and in the resentment of her proud youth did not even offer an
explanation. Nodding to her father and Barney Palmer, she silently
crossed to the window and stood sullenly gazing over the single
mongrel tree before the house and down the narrow street and across
the little Square, at the swirling black tide which raced through East
River. That painter was a beast! Yes, and a fool!

But quickly the painter was forgotten, and once more her mind reverted
to Larry--at last Larry was coming back!--only to have the painter,
after a minute, interrupt her excited imagination with:

"What's the matter with your tongue, Maggie? Generally you stab back
with it quick enough."

She turned, still sulky and silent, and gazed with cynical superiority
at the easel. "Nuts"--it was Barney Palmer who had thus lightly
rechristened the painter when he had set up his studio in the attic
above the pawnshop six months before--Nuts was transferring the seamy,
cunning face of her father, "Old Jimmie" Carlisle, to the canvas with
swift, unhesitating strokes.

"For the lova Christ and the twelve apostles, including that piker
Judas," woefully intoned Old Jimmie from the model's chair, "lemme get
down off this platform!"