The Don Juan play, however, is to deal with sexual attraction, and not
with nutrition, and to deal with it in a society in which the serious
business of sex is left by men to women, as the serious business of
nutrition is left by women to men. That the men, to protect themselves
against a too aggressive prosecution of the women's business, have set
up a feeble romantic convention that the initiative in sex business must
always come from the man, is true; but the pretence is so shallow that
even in the theatre, that last sanctuary of unreality, it imposes only
on the inexperienced. In Shakespear's plays the woman always takes the
initiative. In his problem plays and his popular plays alike the love
interest is the interest of seeing the woman hunt the man down. She may
do it by blandishment, like Rosalind, or by stratagem, like Mariana; but
in every case the relation between the woman and the man is the same:
she is the pursuer and contriver, he the pursued and disposed of. When
she is baffled, like Ophelia, she goes mad and commits suicide; and the
man goes straight from her funeral to a fencing match. No doubt Nature,
with very young creatures, may save the woman the trouble of scheming:
Prospero knows that he has only to throw Ferdinand and Miranda together
and they will mate like a pair of doves; and there is no need for
Perdita to capture Florizel as the lady doctor in All's Well That Ends
Well (an early Ibsenite heroine) captures Bertram. But the mature
cases all illustrate the Shakespearian law. The one apparent exception,
Petruchio, is not a real one: he is most carefully characterized as
a purely commercial matrimonial adventurer. Once he is assured that
Katharine has money, he undertakes to marry her before he has seen her.
In real life we find not only Petruchios, but Mantalinis and Dobbins who
pursue women with appeals to their pity or jealousy or vanity, or cling
to them in a romantically infatuated way. Such effeminates do not count
in the world scheme: even Bunsby dropping like a fascinated bird into