it. The middle room was a library, with tables, chairs, and bookcases of
gloomy respectability. It was without windows, and so was available only
at night. The front room, the parlor, seemed to us children to be a room
of much splendor, but was open for general use only on Sunday evening
or on rare occasions when there were parties. The Sunday evening family
gathering was the redeeming feature in a day which otherwise we children
did not enjoy--chiefly because we were all of us made to wear clean
clothes and keep neat. The ornaments of that parlor I remember now,
including the gas chandelier decorated with a great quantity of
cut-glass prisms. These prisms struck me as possessing peculiar
magnificence. One of them fell off one day, and I hastily grabbed it and
stowed it away, passing several days of furtive delight in the treasure,
a delight always alloyed with fear that I would be found out and
convicted of larceny. There was a Swiss wood-carving representing a very
big hunter on one side of an exceedingly small mountain, and a herd
of chamois, disproportionately small for the hunter and large for the
mountain, just across the ridge. This always fascinated us; but there
was a small chamois kid for which we felt agonies lest the hunter might
come on it and kill it. There was also a Russian moujik drawing a gilt
sledge on a piece of malachite. Some one mentioned in my hearing that
malachite was a valuable marble. This fixed in my mind that it was
valuable exactly as diamonds are valuable. I accepted that moujik as
a priceless work of art, and it was not until I was well in middle age
that it occurred to me that I was mistaken.

Now and then we children were taken round to our grandfather's house;
a big house for the New York of those days, on the corner of Fourteenth
Street and Broadway, fronting Union Square. Inside there was a large
hall running up to the roof; there was a tessellated black-and-white
marble floor, and a circular staircase round the sides of the hall, from