A red cap, similar to that worn by the Greeks, surmounting the black
locks of Djalma, sets off to advantage the golden tint of his complexion;
his throat is bare; he is clad in his robe of white muslin with large
sleeves, confined at the waist by a scarlet sash; very full drawers, in
white cotton stuff, leave half uncovered his tawny and polished legs;
their classic curve stands out from the dark sides of the horse, which he
presses tightly between his muscular calves. He has no stirrups; his
foot, small and narrow, is shod with a sandal of morocco leather.

The rush of his thoughts, by turns impetuous and restrained, was
expressed in some degree by the pace he imparted to his horse--now bold
and precipitate, like the flight of unbridled imagination--now calm and
measured, like the reflection which succeeds an idle dream. But, in all
this fantastic course, his least movements were distinguished by a proud,
independent and somewhat savage grace.

Dispossessed of his paternal territory by the English, and at first
detained by them as a state-prisoner after the death of his father--who
(as M. Joshua Van Dael had written to M. Rodin) had fallen sword in
hand--Djalma had at length been restored to liberty. Abandoning the
continent of India, and still accompanied by General Simon, who had
lingered hard by the prison of his old friend's son, the young Indian
came next to Batavia, the birthplace of his mother, to collect the modest
inheritance of his maternal ancestors. And amongst this property, so long
despised or forgotten by his father, he found some important papers, and
a medal exactly similar to that worn by Rose and Blanche.

General Simon was not more surprised than pleased at this discovery,
which not only established a tie of kindred between his wife and Djalma's
mother, but which also seemed to promise great advantages for the future.