pretends to be blind, catch a glimpse of my other flies. The two
daughters of Marshal Simon, for instance, growing sadder and more
dejected every day, at the icy barrier raised between them and their
father; and the latter thinking himself one day dishonored if he does
this, another if he does that; so that the hero of the Empire has become
weaker and more irresolute than a child. What more remains of this
impious family? Jacques Rennepont? Ask Morok, to what a state of
debasement intemperance has reduced him, and towards what an abyss he is
rushing!--There is my occurrence-sheet; you see to what are reduced all
the members of this family, who, six weeks ago, had each elements of
strength and union! Behold these Renneponts, who, by the will of their
heretical ancestor, were to unite their forces to combat and crush our
Society!--There was good reason to fear them; but what did I say? That I
would act upon their passions. What have I done? I have acted upon their
passions. At this hour they are vainly struggling in my web--they are
mine--they are mine--"

As he was speaking, Rodin's countenance and voice had undergone a
singular alteration; his complexion, generally so cadaverous, had become
flushed, but unequally, and in patches; then, strange phenomenon! his
eyes grew both more brilliant and more sunken, and his voice sharper and
louder. The change in the countenance of Rodin, of which he did not
appear to be conscious, was so remarkable, that the other actors in this
scene looked at him with a sort of terror.

Deceived as to the cause of this impression, Rodin exclaimed with
indignation, in a voice interrupted by deep gaspings for breath: "It is
pity for this impious race, that I read upon your faces? Pity for the
young girl, who never enters a church, and erects pagan altars in her
habitation? Pity for Hardy, the sentimental blasphemer, the philanthropic