masters in the world could give you upon paper. And thus much I would, by
all means, have you know of both civil and military architecture.

I would also have you acquire a liberal taste of the two liberal arts of
painting and sculpture; but without descending into those minutia, which
our modern virtuosi most affectedly dwell upon. Observe the great parts
attentively; see if nature be truly represented; if the passions are
strongly expressed; if the characters are preserved; and leave the
trifling parts, with their little jargon, to affected puppies. I would
advise you also, to read the history of the painters and sculptors, and I
know none better than Felibien's. There are many in Italian; you will
inform yourself which are the best. It is a part of history very
entertaining, curious enough, and not quite useless. All these sort of
things I would have you know, to a certain degree; but remember, that
they must only be the amusements, and not the business of a man of parts.

Since writing to me in German would take up so much of your time, of
which I would not now have one moment wasted, I will accept of your
composition, and content myself with a moderate German letter once a
fortnight, to Lady Chesterfield or Mr. Gravenkop. My meaning was only
that you should not forget what you had already learned of the German
language and character; but, on the contrary, that by frequent use it
should grow more easy and familiar. Provided you take care of that, I do
not care by what means: but I do desire that you will every day of your
life speak German to somebody or other (for you will meet with Germans
enough), and write a line or two of it every day to keep your hand in.
Why should you not (for instance) write your little memorandums and
accounts in that language and character? by which, too, you would have
this advantage into the bargain, that, if mislaid, few but yourself could
read them.