therefore, in the meantime, all these exterior and ornamental
qualifications your peculiar care, and disappoint all my imaginary
schemes of criticism. Some authors have criticised their own works first,
in hopes of hindering others from doing it afterward: but then they do it
themselves with so much tenderness and partiality for their own
production, that not only the production itself, but the preventive
criticism is criticised. I am not one of those authors; but, on the
contrary, my severity increases with my fondness for my work; and if you
will but effectually correct all the faults I shall find, I will insure
you from all subsequent criticisms from other quarters.

Are you got a little into the interior, into the constitution of things
at Paris? Have you seen what you have seen thoroughly? For, by the way,
few people see what they see, or hear what they hear. For example, if you
go to les Invalides, do you content yourself with seeing the building,
the hall where three or four hundred cripples dine, and the galleries
where they lie? or do you inform yourself of the numbers, the conditions
of their admission, their allowance, the value and nature of the fund by
which the whole is supported? This latter I call seeing, the former is
only starting. Many people take the opportunity of 'les vacances', to go
and see the, empty rooms where the several chambers of the parliament did
sit; which rooms are exceedingly like all other large rooms; when you go
there, let it be when they are full; see and hear what is doing in them;
learn their respective constitutions, jurisdictions, objects, and methods
of proceeding; hear some causes tried in every one of the different
chambers; 'Approfondissez les choses'.

I am glad to hear that you are so well at Marquis de St. Germain's,
--[At that time Ambassador from the King of Sardinia at the Court of
France.]--of whom I hear a very good character. How are you with the