Utica, rhymes masculine and feminine at Paris; and fetches his last
breath at London, in most harmmonious and correct blank verse.

It is quite otherwise with Comedy, which should be mere common life, and
not one jot bigger. Every character should speak upon the stage, not only
what it would utter in the situation there represented, but in the same
manner in which it would express it. For which reason I cannot allow
rhymes in comedy, unless they were put into the mouth, and came out of
the mouth of a mad poet. But it is impossible to deceive one's self
enough (nor is it the least necessary in comedy) to suppose a dull rogue
of an usurer cheating, or 'gross Jean' blundering in the finest rhymes in
the world.

As for Operas, they are essentially too absurd and extravagant to
mention; I look upon them as a magic scene, contrived to please the eyes
and the ears, at the expense of the understanding; and I consider
singing, rhyming, and chiming heroes, and princesses, and philosophers,
as I do the hills, the trees, the birds, and the beasts, who amicably
joined in one common country dance, to the irresistible turn of Orpheus's
lyre. Whenever I go to an opera, I leave my sense and reason at the door
with my half guinea, and deliver myself up to my eyes and my ears.

Thus I have made you my poetical confession; in which I have acknowledged
as many sins against the established taste in both countries, as a frank
heretic could have owned against the established church in either, but I
am now privileged by my age to taste and think for myself, and not to
care what other people think of me in those respects; an advantage which
youth, among its many advantages, hath not. It must occasionally and
outwardly conform, to a certain degree, to establish tastes, fashions,
and decisions. A young man may, with a becoming modesty, dissent, in