strongly expressed; if the characters are preserved; and leave the
trifling parts, with their little jargon, to affected puppies. I would
advise you also, to read the history of the painters and sculptors, and I
know none better than Felibien's. There are many in Italian; you will
inform yourself which are the best. It is a part of history very
entertaining, curious enough, and not quite useless. All these sort of
things I would have you know, to a certain degree; but remember, that
they must only be the amusements, and not the business of a man of parts.

Since writing to me in German would take up so much of your time, of
which I would not now have one moment wasted, I will accept of your
composition, and content myself with a moderate German letter once a
fortnight, to Lady Chesterfield or Mr. Gravenkop. My meaning was only
that you should not forget what you had already learned of the German
language and character; but, on the contrary, that by frequent use it
should grow more easy and familiar. Provided you take care of that, I do
not care by what means: but I do desire that you will every day of your
life speak German to somebody or other (for you will meet with Germans
enough), and write a line or two of it every day to keep your hand in.
Why should you not (for instance) write your little memorandums and
accounts in that language and character? by which, too, you would have
this advantage into the bargain, that, if mislaid, few but yourself could
read them.

I am extremely glad to hear that you like the assemblies at Venice well
enough to sacrifice some suppers to them; for I hear that you do not
dislike your suppers neither. It is therefore plain, that there is
somebody or something at those assemblies, which you like better than
your meat. And as I know that there is none but good company at those
assemblies, I am very glad to find that you like good company so well. I