house which had once been a family house, and in an uppermost room of
which I could look from my work across the trees of the little park in
Stuyvesant Square to the towers of St. George's Church. Then later in the
spring of 1889 the unfinished novel was carried to a country house on the
Belmont border of Cambridge. There I must have written very rapidly to
have pressed it to conclusion before the summer ended. It came, indeed,
so easily from the pen that I had the misgiving which I always have of
things which do not cost me great trouble.

There is nothing in the book with which I amused myself more than the
house-hunting of the Marches when they were placing themselves in New
York; and if the contemporary reader should turn for instruction to the
pages in which their experience is detailed I assure him that he may
trust their fidelity and accuracy in the article of New York housing as
it was early in the last decade of the last century: I mean, the housing
of people of such moderate means as the Marches. In my zeal for truth I
did not distinguish between reality and actuality in this or other
matters--that is, one was as precious to me as the other. But the types
here portrayed are as true as ever they were, though the world in which
they were finding their habitat is wonderfully, almost incredibly
different. Yet it is not wholly different, for a young literary pair now
adventuring in New York might easily parallel the experience of the
Marches with their own, if not for so little money; many phases of New
York housing are better, but all are dearer. Other aspects of the
material city have undergone a transformation much more wonderful. I find
that in my book its population is once modestly spoken of as two
millions, but now in twenty years it is twice as great, and the grandeur
as well as grandiosity of its forms is doubly apparent. The transitional
public that then moped about in mildly tinkling horse-cars is now hurried
back and forth in clanging trolleys, in honking and whirring motors; the