VII.

That evening March went with his wife to return the call of the Dryfoos
ladies. On their way up-town in the Elevated he told her of his talk with
young Dryfoos. "I confess I was a little ashamed before him afterward for
having looked at the matter so entirely from the aesthetic point of view.
But of course, you know, if I went to work at those things with an
ethical intention explicitly in mind, I should spoil them."

"Of course," said his wife. She had always heard him say something of
this kind about such things.

He went on: "But I suppose that's just the point that such a nature as
young Dryfoos's can't get hold of, or keep hold of. We're a queer lot,
down there, Isabel--perfect menagerie. If it hadn't been that Fulkerson
got us together, and really seems to know what he did it for, I should
say he was the oddest stick among us. But when I think of myself and my
own crankiness for the literary department; and young Dryfoos, who ought
really to be in the pulpit, or a monastery, or something, for publisher;
and that young Beaton, who probably hasn't a moral fibre in his
composition, for the art man, I don't know but we could give Fulkerson
odds and still beat him in oddity."

His wife heaved a deep sigh of apprehension, of renunciation, of
monition. "Well, I'm glad you can feel so light about it, Basil."

"Light? I feel gay! With Fulkerson at the helm, I tell you the rocks and
the lee shore had better keep out of the way." He laughed with pleasure
in his metaphor. "Just when you think Fulkerson has taken leave of his