stay there till his own enthusiasm escaped in other activities, other
plans.

Fulkerson was as little likely as possible to fall under a superstitious
subjection to another man; but March could not help seeing that in this
possible measure Dryfoos was Fulkerson's fetish. He did not revere him,
March decided, because it was not in Fulkerson's nature to revere
anything; he could like and dislike, but he could not respect.
Apparently, however, Dryfoos daunted him somehow; and besides the homage
which those who have not pay to those who have, Fulkerson rendered
Dryfoos the tribute of a feeling which March could only define as a sort
of bewilderment. As well as March could make out, this feeling was evoked
by the spectacle of Dryfoos's unfailing luck, which Fulkerson was fond of
dazzling himself with. It perfectly consisted with a keen sense of
whatever was sordid and selfish in a man on whom his career must have had
its inevitable effect. He liked to philosophize the case with March, to
recall Dryfoos as he was when he first met him still somewhat in the sap,
at Moffitt, and to study the processes by which he imagined him to have
dried into the hardened speculator, without even the pretence to any
advantage but his own in his ventures. He was aware of painting the
character too vividly, and he warned March not to accept it exactly in
those tints, but to subdue them and shade it for himself. He said that
where his advantage was not concerned, there was ever so much good in
Dryfoos, and that if in some things he had grown inflexible, he had
expanded in others to the full measure of the vast scale on which he did
business. It had seemed a little odd to March that a man should put money
into such an enterprise as 'Every Other Week' and go off about other
affairs, not only without any sign of anxiety, but without any sort of
interest. But Fulkerson said that was the splendid side of Dryfoos. He
had a courage, a magnanimity, that was equal to the strain of any such