Conrad's death and the clubbing of Lindau. He probably cared as little
for either of them as any man that ever saw them; but he felt a shock, if
not a pang, at Conrad's fate, so out of keeping with his life and
character. He did not know what to do; and he did nothing. He was not
asked to the funeral, but he had not expected that, and, when Fulkerson
brought him notice that Lindau was also to be buried from Dryfoos's
house, it was without his usual sullen vindictiveness that he kept away.
In his sort, and as much as a man could who was necessarily so much taken
up with himself, he was sorry for Conrad's father; Beaton had a peculiar
tenderness for his own father, and he imagined how his father would feel
if it were he who had been killed in Conrad's place, as it might very
well have been; he sympathized with himself in view of the possibility;
and for once they were mistaken who thought him indifferent and merely
brutal in his failure to appear at Lindau's obsequies.

He would really have gone if he had known how to reconcile his presence
in that house with the terms of his effective banishment from it; and he
was rather forgivingly finding himself wronged in the situation, when
Dryfoos knocked at the studio door the morning after Lindau's funeral.
Beaton roared out, "Come in!" as he always did to a knock if he had not a
model; if he had a model he set the door slightly ajar, and with his
palette on his thumb frowned at his visitor and told him he could not
come in. Dryfoos fumbled about for the knob in the dim passageway
outside, and Beaton, who had experience of people's difficulties with it,
suddenly jerked the door open. The two men stood confronted, and at first
sight of each other their quiescent dislike revived. Each would have been
willing to turn away from the other, but that was not possible. Beaton
snorted some sort of inarticulate salutation, which Dryfoos did not try
to return; he asked if he could see him alone for a minute or two, and
Beaton bade him come in, and swept some paint-blotched rags from the