hods, and laid the stone."

"That makes me prouder of the sex than ever. But come, Mr. Burnamy! Isn't
there anybody of polite interest that you know of in this crowd?"

"Well, I can't say," Burnamy hesitated.

The breakfasters had been thronging into the grove and the galleries; the
tables were already filled, and men were bringing other tables on their
heads, and making places for them, with entreaties for pardon everywhere;
the proprietor was anxiously directing them; the pretty serving-girls
were running to and from the kitchen in a building apart with shrill,
sweet promises of haste. The morning sun fell broken through the leaves
on the gay hats and dresses of the ladies, and dappled the figures of the
men with harlequin patches of light and shade. A tall woman, with a sort
of sharpened beauty, and an artificial permanency of tint in her cheeks
and yellow hair, came trailing herself up the sun-shot path, and found,
with hardy insistence upon the publicity, places for the surly-looking,
down-faced young man behind her, and for her maid and her black poodle;
the dog was like the black poodle out of Faust. Burnamy had heard her
history; in fact, he had already roughed out a poem on it, which he
called Europa, not after the old fable, but because it seemed to him that
she expressed Europe, on one side of its civilization, and had an
authorized place in its order, as she would not have had in ours. She was
where she was by a toleration of certain social facts which corresponds
in Europe to our reverence for the vested interests. In her history
there, had been officers and bankers; even foreign dignitaries; now there
was this sullen young fellow . . . . Burnamy had wondered if it would do
to offer his poem to March, but the presence of the original abashed him,
and in his mind he had torn the poem up, with a heartache for its