a letter from Rose at Carlsbad, the other day; and--"

The waiter came forward with a folded scrap of paper on his salver, which
March knew must be from his wife. "What is keeping you so?" she wrote. "I
am all ready." "It's from Mrs. March," he explained to Kenby. "I am going
out with her on some errands. I'm awfully glad to see you again. We must
talk it all over, and you must--you mustn't--Mrs. March will want to see
you later--I--Are you in the hotel?"

"Oh yes. I'll see you at the one-o'clock table d'hote, I suppose."

March went away with his head whirling in the question whether he should
tell his wife at once of Kenby's presence, or leave her free for the
pleasures of Wurzburg, till he could shape the fact into some safe and
acceptable form. She met him at the door with her guide-books, wraps and
umbrellas, and would hardly give him time to get on his hat and coat.

"Now, I want you to avoid the Stollers as far as you can see them. This
is to be a real wedding-journey day, with no extraneous acquaintance to
bother; the more strangers the better. Wurzburg is richer than anything I
imagined. I've looked it all up; I've got the plan of the city, so that
we can easily find the way. We'll walk first, and take carriages whenever
we get tired. We'll go to the cathedral at once; I want a good gulp of
rococo to begin with; there wasn't half enough of it at Ansbach. Isn't it
strange how we've come round to it?"

She referred to that passion for the Gothic which they had obediently
imbibed from Ruskin in the days of their early Italian travel and
courtship, when all the English-speaking world bowed down to him in
devout aversion from the renaissance, and pious abhorrence of the rococo.