such guilt; and, perhaps there are really not so many as people have
tried to think, in their deference to Goethe's greatness. But certainly
the affair was not so simple for a grand-ducal minister of world-wide
renown, and he might well have felt its difficulties, for he could not
have been proof against the censorious public opinion of Weimar, or the
yet more censorious private opinion of Fran von Stein.

On that lovely Italo-American morning no ghost of these old dead
embarrassments lingered within or without the Goethe garden-house. The
trees which the poet himself planted flung a sun-shot shadow upon it, and
about its feet basked a garden of simple flowers, from which the sweet
lame girl who limped through the rooms and showed them, gathered a
parting nosegay for her visitors. The few small livingrooms were above
the ground-floor, with kitchen and offices below in the Italian fashion;
in one of the little chambers was the camp-bed which Goethe carried with
him on his journeys through Italy; and in the larger room at the front
stood the desk where he wrote, with the chair before it from which he
might just have risen.

All was much more livingly conscious of the great man gone than the proud
little palace in the town, which so abounds with relics and memorials of
him. His library, his study, his study table, with everything on it just
as he left it when

"Cadde la stanca mana"

are there, and there is the death-chair facing the window, from which he
gasped for "more light" at last. The handsome, well-arranged rooms are
full of souvenirs of his travel, and of that passion for Italy which he
did so much to impart to all German hearts, and whose modern waning