for the chorus and the commoner audience, and then a few semicircular
gradines cut in the turf, one alcove another, where the more honored
spectators sat. Behind the seats were plinths bearing the busts of
Goethe, Schiller, Wieland, and Herder. It was all very pretty, and if
ever the weather in Weimar was dry enough to permit a performance, it
must have been charming to see a play in that open day to which the drama
is native, though in the late hours it now keeps in the thick air of
modern theatres it has long forgotten the fact. It would be difficult to
be Greek under a German sky, even when it was not actually raining, but
March held that with Goethe's help it might have been done at Weimar, and
his wife and he proved themselves such enthusiasts for the Natur-Theater
that the walnut-faced old gardener who showed it put together a sheaf of
the flowers that grew nearest it and gave them to Mrs. March for a
souvenir.

They went for a cup of tea to the cafe which looks, as from another
eyebrow of the hill, out over lovely little Weimar in the plain below. In
a moment of sunshine the prospect was very smiling; but their spirits
sank over their tea when it came; they were at least sorry they had not
asked for coffee. Most of the people about them were taking beer,
including the pretty girls of a young ladies' school, who were there with
their books and needle-work, in the care of one of the teachers,
apparently for the afternoon.

Mrs. March perceived that they were not so much engaged with their books
or their needle-work but they had eyes for other things, and she followed
the glances of the girls till they rested upon the people at a table
somewhat obliquely to the left. These were apparently a mother and
daughter, and they were listening to a young man who sat with his back to
Mrs. March, and leaned low over the table talking to them. They were both