entered upon the serious business of life, it renders them merely
contemptuous. His view of the matter may be commended to the brotherhood
and sisterhood of novelists as full of wholesome if bitter suggestion;
and I urge them not to dismiss it with high literary scorn as that of
some Boeotian dull to the beauty of art. Refuse it as we may, it is
still the feeling of the vast majority of people for whom life is
earnest, and who find only a distorted and misleading likeness of it in
our books. We may fold ourselves in our scholars' gowns, and close the
doors of our studies, and affect to despise this rude voice; but we
cannot shut it out. It comes to us from wherever men are at work, from
wherever they are truly living, and accuses us of unfaithfulness, of
triviality, of mere stage-play; and none of us can escape conviction
except he prove himself worthy of his time--a time in which the great
masters have brought literature back to life, and filled its ebbing veins
with the red tides of reality. We cannot all equal them; we need not
copy them; but we can all go to the sources of their inspiration and
their power; and to draw from these no one need go far--no one need
really go out of himself.

Fifty years ago, Carlyle, in whom the truth was always alive, but in whom
it was then unperverted by suffering, by celebrity, and by despair, wrote
in his study of Diderot: "Were it not reasonable to prophesy that this
exceeding great multitude of novel-writers and such like must, in a new
generation, gradually do one of two things: either retire into the
nurseries, and work for children, minors, and semi-fatuous persons of
both sexes, or else, what were far better, sweep their novel-fabric into
the dust-cart, and betake themselves with such faculty as they have to
understand and record what is true, of which surely there is, and will
forever be, a whole infinitude unknown to us of infinite importance to
us? Poetry, it will more and more come to be understood, is nothing but