proceedings for one of the daily journals, and I was taken into the
office as a compositor. In this way I came into living contact with
literature again, and the daydreams began once more over the familiar
cases of type. A definite literary ambition grew up in me, and in the
long reveries of the afternoon, when I was distributing my case,
I fashioned a future of overpowering magnificence and undying celebrity.
I should be ashamed to say what literary triumphs I achieved in those
preposterous deliriums. What I actually did was to write a good many
copies of verse, in imitation, never owned, of Moore and Goldsmith, and
some minor poets, whose work caught my fancy, as I read it in the
newspapers or put it into type.

One of my pieces, which fell so far short of my visionary performances as
to treat of the lowly and familiar theme of Spring, was the first thing I
ever had in print. My father offered it to the editor of the paper I
worked on, and I first knew, with mingled shame and pride, of what he had
done when I saw it in the journal. In the tumult of my emotions I
promised myself that if I got through this experience safely I would
never suffer anything else of mine to be published; but it was not long
before I offered the editor a poem myself. I am now glad to think it
dealt with so humble a fact as a farmer's family leaving their old home
for the West. The only fame of my poem which reached me was when another
boy in the office quoted some lines of it in derision. This covered me
with such confusion that I wonder that I did not vanish from the earth.
At the same time I had my secret joy in it, and even yet I think it was
attempted in a way which was not false or wrong. I had tried to sketch
an aspect of life that I had seen and known, and that was very well
indeed, and I had wrought patiently and carefully in the art of the poor
little affair.