Histories so delightful to me, and that rendered "Macbeth" and "Hamlet"
vital in their very ghosts and witches. There I found a world
appreciable to experience, a world inexpressibly vaster and grander than
the poor little affair that I had only known a small obscure corner of,
and yet of one quality with it, so that I could be as much at home and
citizen in it as where I actually lived. There I found joy and sorrow
mixed, and nothing abstract or typical, but everything standing for
itself, and not for some other thing. Then, I suppose it was the
interfusion of humor through so much of it, that made it all precious and
friendly. I think I had a native love of laughing, which was fostered in
me by my father's way of looking at life, and had certainly been
flattered by my intimacy with Cervantes; but whether this was so or not,
I know that I liked best and felt deepest those plays and passages in
Shakespeare where the alliance of the tragic and the comic was closest.
Perhaps in a time when self-consciousness is so widespread, it is the
only thing that saves us from ourselves. I am sure that without it I
should not have been naturalized to that world of Shakespeare's
Histories, where I used to spend so much of my leisure, with such a sense
of his own intimate companionship there as I had nowhere else. I felt
that he must somehow like my being in the joke of it all, and that in his
great heart he had room for a boy willing absolutely to lose himself in
him, and be as one of his creations.

It was the time of life with me when a boy begins to be in love with the
pretty faces that then peopled this world so thickly, and I did not fail
to fall in love with the ladies of that Shakespeare-world where I lived
equally. I cannot tell whether it was because I found them like my
ideals here, or whether my ideals acquired merit because of their
likeness to the realities there; they appeared to be all of one degree of
enchanting loveliness; but upon the whole I must have preferred them in