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The Man of Letters as a Man of Business by William Dean Howells
page 26 of 37 (70%)
and yachts and country seats, while immodest merit is left to get about
on foot and look up summer-board at the cheaper hotels. That is probably
right, or it would not happen; it seems to be in the general scheme, like
millionairism and pauperism; but it becomes a question, then, whether the
newspapers, with all their friendship for literature, and their actual
generosity to literary men, can really help one much to fortune, however
much they help one to fame. Such a question is almost too dreadful, and,
though I have asked it, I will not attempt to answer it. I would much
rather consider the question whether, if the newspapers can make an
author, they can also unmake him, and I feel pretty safe in saying that I
do not think they can. The Afreet, once out of the bottle, can never be
coaxed back or cudgelled back; and the author whom the newspapers have
made cannot be unmade by the newspapers. Perhaps he could if they would
let him alone; but the art of letting alone the creature of your favor,
when he has forfeited your favor, is yet in its infancy with the
newspapers. They consign him to oblivion with a rumor that fills the
land, and they keep visiting him there with an uproar which attracts more
and more notice to him. An author who has long enjoyed their favor
suddenly and rather mysteriously loses it, through his opinions on
certain matters of literary taste, say. For the space of five or six
years he is denounced with a unanimity and an incisive vigor that ought
to convince him there is something wrong. If he thinks it is his
censors, he clings to his opinions with an abiding constancy, while
ridicule, obloquy, caricature, burlesque, critical refutation, and
personal detraction follow unsparingly upon every expression, for
instance, of his belief that romantic fiction is the highest form of
fiction, and that the base, sordid, photographic, commonplace school of
Tolstoy, Tourgunief, Zola, Hardy, and James is unworthy a moment's
comparison with the school of Rider Haggard. All this ought certainly to
unmake the author in question, but this is not really the effect. Slowly
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