freedom which I cannot bring my fainter pencil to illustrate. He had the
Southwestern, the Lincolnian, the Elizabethan breadth of parlance, which
I suppose one ought not to call coarse without calling one's self
prudish; and I was often hiding away in discreet holes and corners the
letters in which he had loosed his bold fancy to stoop on rank
suggestion; I could not bear to burn them, and I could not, after the
first reading, quite bear to look at them. I shall best give my feeling
on this point by saying that in it he was Shakespearian, or if his ghost
will not suffer me the word, then he was Baconian.

At the time of our first meeting, which must have been well toward the
winter, Clemens (as I must call him instead of Mark Twain, which seemed
always somehow to mask him from my personal sense) was wearing a sealskin
coat, with the fur out, in the satisfaction of a caprice, or the love of
strong effect which he was apt to indulge through life. I do not know
what droll comment was in Fields's mind with respect to this garment, but
probably he felt that here was an original who was not to be brought to
any Bostonian book in the judgment of his vivid qualities. With his
crest of dense red hair, and the wide sweep of his flaming mustache,
Clemens was not discordantly clothed in that sealskin coat, which
afterward, in spite of his own warmth in it, sent the cold chills through
me when I once accompanied it down Broadway, and shared the immense
publicity it won him. He had always a relish for personal effect, which
expressed itself in the white suit of complete serge which he wore in his
last years, and in the Oxford gown which he put on for every possible
occasion, and said he would like to wear all the time. That was not
vanity in him, but a keen feeling for costume which the severity of our
modern tailoring forbids men, though it flatters women to every excess in
it; yet he also enjoyed the shock, the offence, the pang which it gave
the sensibilities of others. Then there were times he played these