of the happy time but a sense of idle and aimless and joyful talk-play,
beginning and ending nowhere, of eager laughter, of countless good
stories from Fields, of a heat-lightning shimmer of wit from Aldrich, of
an occasional concentration of our joint mockeries upon our host, who
took it gladly; and amid the discourse, so little improving, but so full
of good fellowship, Bret Harte's fleeting dramatization of Clemens's
mental attitude toward a symposium of Boston illuminates. "Why,
fellows," he spluttered, "this is the dream of Mark's life," and I
remember the glance from under Clemens's feathery eyebrows which betrayed
his enjoyment of the fun. We had beefsteak with mushrooms, which in
recognition of their shape Aldrich hailed as shoe-pegs, and to crown the
feast we had an omelette souse, which the waiter brought in as flat as a
pancake, amid our shouts of congratulations to poor Keeler, who took them
with appreciative submission. It was in every way what a Boston literary
lunch ought not to have been in the popular ideal which Harte attributed
to Clemens.

Our next meeting was at Hartford, or, rather, at Springfield, where
Clemens greeted us on the way to Hartford. Aldrich was going on to be
his guest, and I was going to be Charles Dudley Warner's, but Clemens had
come part way to welcome us both. In the good fellowship of that cordial
neighborhood we had two such days as the aging sun no longer shines on in
his round. There was constant running in and out of friendly houses
where the lively hosts and guests called one another by their Christian
names or nicknames, and no such vain ceremony as knocking or ringing at
doors. Clemens was then building the stately mansion in which he
satisfied his love of magnificence as if it had been another sealskin
coat, and he was at the crest of the prosperity which enabled him to
humor every whim or extravagance. The house was the design of that most
original artist, Edward Potter, who once, when hard pressed by