picturesque farewell from the platform.

Then his host realized that he had dropped to the ground barely in time
to escape being crushed against the side of the archway that sharply
descended beside the steps of the train, and he went and sat down in that
handsomest hack, and was for a moment deathly sick at the danger that had
not realized itself to him in season. To be sure, he was able, long
after, to adapt the incident to the exigencies of fiction, and to have a
character, not otherwise to be conveniently disposed of, actually crushed
to death between a moving train and such an archway.

Besides, he had then and always afterward, the immense super-compensation
of the memories of that visit from one of the most charming personalities
in the world,

"In life's morning march when his bosom was young,"

and when infinitely less would have sated him. Now death has come to
join its vague conjectures to the broken expectations of life, and that
blithe spirit is elsewhere. But nothing can take from him who remains
the witchery of that most winning presence. Still it looks smiling from
the platform of the car, and casts a farewell of mock heartbreak from it.
Still a gay laugh comes across the abysm of the years that are now
numbered, and out of somewhere the hearer's sense is rapt with the mellow
cordial of a voice that was like no other.

[This last paragraph reminds one again that, as with Holmes: a great poet
writes the best prose. D.W.]