those dark hours of Johnson's time seemed to have been

"Butchered to make a blind man's holiday."

The hush that followed upon his ceasing was of that finest quality which
spoken praise always lacks; and I suppose that I could not give a just
notion of these Dante Club evenings without imparting the effect of such
silences. This I could not hopefully undertake to do; but I am tempted
to some effort of the kind by my remembrance of Longfellow's old friend
George Washington Greene, who often came up from his home in Rhode
Island, to be at those sessions, and who was a most interesting and
amiable fact of those delicate silences. A full half of his earlier life
had been passed in Italy, where he and Longfellow met and loved each
other in their youth with an affection which the poet was constant to in
his age, after many vicissitudes, with the beautiful fidelity of his
nature. Greene was like an old Italian house-priest in manner, gentle,
suave, very suave, smooth as creamy curds, cultivated in the elegancies
of literary taste, and with a certain meek abeyance. I think I never
heard him speak, in all those evenings, except when Longfellow addressed
him, though he must have had the Dante scholarship for an occasional
criticism. It was at more recent dinners, where I met him with the
Longfellow family alone, that he broke now and then into a quotation from
some of the modern Italian poets he knew by heart (preferably Giusti),
and syllabled their verse with an exquisite Roman accent and a bewitching
Florentine rhythm. Now and then at these times he brought out a faded
Italian anecdote, faintly smelling of civet, and threadbare in its
ancient texture. He liked to speak of Goldoni and of Nota, of Niccolini
and Manzoni, of Monti and Leopardi; and if you came to America, of the
Revolution and his grandfather, the Quaker General Nathaniel Greene,
whose life he wrote (and I read) in three volumes: He worshipped