when we went for a day to explore that coast during the summer. It seems
strange that I cannot recall just when and where I saw him, but early
after his return to Cambridge I had a message from him asking me to come
to a meeting of the Dante Club at Craigie House.

Longfellow was that winter (1866-7) revising his translation of the
'Paradiso', and the Dante Club was the circle of Italianate friends and
scholars whom he invited to follow him and criticise his work from the
original, while he read his version aloud. Those who were most
constantly present were Lowell and Professor Norton, but from time to
time others came in, and we seldom sat down at the nine-o'clock supper
that followed the reading of the canto in less number than ten or twelve.

The criticism, especially from the accomplished Danteists I have named,
was frank and frequent. I believe they neither of them quite agreed with
Longfellow as to the form of version he had chosen, but, waiving that,
the question was how perfectly he had done his work upon the given lines:
I myself, with whatever right, great or little, I may have to an opinion,
believe thoroughly in Longfellow's plan. When I read his version my
sense aches for the rhyme which he rejected, but my admiration for his
fidelity to Dante otherwise is immeasurable. I remember with equal
admiration the subtle and sympathetic scholarship of his critics, who
scrutinized every shade of meaning in a word or phrase that gave them
pause, and did not let it pass till all the reasons and facts had been
considered. Sometimes, and even often, Longfellow yielded to their
censure, but for the most part, when he was of another mind, he held to
his mind, and the passage had to go as he said. I make a little haste to
say that in all the meetings of the Club, during a whole winter of
Wednesday evenings, I myself, though I faithfully followed in an Italian
Dante with the rest, ventured upon one suggestion only. This was kindly,