a year before, and the other two within a few months of the end. The
first of these was at luncheon in the summer-house of a friend whose
hospitality made it summer the year round, and we all went out to meet
him, when he drove up in his open carriage, with the little sunshade in
his hand, which he took with him for protection against the heat, and
also, a little, I think, for the whim of it. He sat a moment after he
arrived, as if to orient himself in respect to each of us. Beside the
gifted hostess, there was the most charming of all the American
essayists, and the Autocrat seemed at once to find himself singularly at
home with the people who greeted him. There was no interval needed for
fanning away the ashes; he tinkled up before he entered the house, and at
the table he was as vivid and scintillant as I ever saw him, if indeed I
ever saw him as much so. The talk began at once, and we had made him
believe that there was nothing egotistic in his taking the word, or
turning it in illustration from himself upon universal matters. I spoke
among other things of some humble ruins on the road to Gloucester, which
gave the way-side a very aged look; the tumbled foundation-stones of poor
bits of houses, and "Ah," he said, "the cellar and the well?" He added,
to the company generally, "Do you know what I think are the two lines of
mine that go as deep as any others, in a certain direction?" and he began
to repeat stragglingly certain verses from one of his earlier poems,
until he came to the closing couplet. But I will give them in full,
because in going to look them up I have found them so lovely, and because
I can hear his voice again in every fondly accented syllable:

"Who sees unmoved, a ruin at his feet,
The lowliest home where human hearts have beat?
Its hearth-stone, shaded with the bistre stain,
A century's showery torrents wash in vain;
Its starving orchard where the thistle blows,