had a pleasant study in a corner by the porch, and he met me with all the
cheeriness of old. But he confessed that he had been greatly broken up
by the labor of preparing something that might be read at some
commemorative meeting, and had suffered from finding first that he could
not write something specially for it. Even the copying and adapting an
old poem had overtaxed him, and in this he showed the failing powers of
age. But otherwise he was still young, intellectually; that is, there
was no failure of interest in intellectual things, especially literary
things. Some new book lay on the table at his elbow, and he asked me if
I had seen it, and made some joke about his having had the good luck to
read it, and have it lying by him a few days before when the author
called. I do not know whether he schooled himself against an old man's
tendency to revert to the past or not, but I know that he seldom did so.
That morning, however, he made several excursions into it, and told me
that his youthful satire of the 'Spectre Pig' had been provoked by a poem
of the elder Dana's, where a phantom horse had been seriously employed,
with an effect of anticlimax which he had found irresistible. Another
foray was to recall the oppression and depression of his early religious
associations, and to speak with moving tenderness of his father, whose
hard doctrine as a minister was without effect upon his own kindly
nature.

In a letter written to me a few weeks after this time, upon an occasion
when he divined that some word from him would be more than commonly dear,
he recurred to the feeling he then expressed: "Fifty-six years ago--more
than half a century--I lost my own father, his age being seventy-three
years. As I have reached that period of life, passed it, and now left it
far behind, my recollections seem to brighten and bring back my boyhood
and early manhood in a clearer and fairer light than it came to me in my
middle decades. I have often wished of late years that I could tell him