of the publishing house the fact that a supposed infidelity in the tone
of his story The Guardian Angel cost the Atlantic Monthly many
subscribers. Now the tone of that story would not be thought even mildly
agnostic, I fancy; and long before his death the author had outlived the
error concerning him.

It was not the best of his stories, by any means, and it would not be too
harsh to say that it was the poorest. His novels all belonged to an
order of romance which was as distinctly his own as the form of
dramatized essay which he invented in the Autocrat. If he did not think
poorly of them, he certainly did not think too proudly, and I heard him
quote with relish the phrase of a lady who had spoken of them to him as
his "medicated novels." That, indeed, was perhaps what they were; a
faint, faint odor of the pharmacopoeia clung to their pages; their magic
was scientific. He knew this better than any one else, of course, and if
any one had said it in his turn he would hardly have minded it. But what
he did mind was the persistent misinterpretation of his intention in
certain quarters where he thought he had the right to respectful
criticism in stead of the succession of sneers that greeted the
successive numbers of his story; and it was no secret that he felt the
persecution keenly. Perhaps he thought that he had already reached that
time in his literary life when he was a fact rather than a question, and
when reasons and not feelings must have to do with his acceptance or
rejection. But he had to live many years yet before he reached this
state. When he did reach it, happily a good while before his death, I do
not believe any man ever enjoyed the like condition more. He loved to
feel himself out of the fight, with much work before him still, but with
nothing that could provoke ill-will in his activities. He loved at all
times to take himself objectively, if I may so express my sense of a
mental attitude that misled many. As I have said before, he was