was never recalled to his presence; and now I think he judged rightly
that I should not be a lastingly good journalist. My point of view was
artistic; I wanted time to prepare my effects.

There was another and clearer prospect opened to me on a literary paper,
then newly come to the light, but long since gone out in the dark. Here
again my work was taken, and liked so much that I was offered the basis
(at twenty dollars a week) that I desired; I was even assigned to a desk
where I should write in the office; and the next morning I came joyfully
down to Spruce Street to occupy it. But I was met at the door by one of
the editors, who said lightly, as if it were a trifling affair, "Well,
we've concluded to waive the idea of an engagement," and once more my
bright hopes of a basis dispersed themselves. I said, with what calm I
could, that they must do what they thought best, and I went on
skirmishing baselessly about for this and the other papers which had been
buying my material.

I had begun printing in the 'Nation' those letters about my Italian
journeys left over from the Boston Advertiser; they had been liked in the
office, and one day the editor astonished and delighted me by asking how
I would fancy giving up outside work to come there and write only for the
'Nation'. We averaged my gains from all sources at forty dollars a week,
and I had my basis as unexpectedly as if I had dropped upon it from the
skies.

This must have been some time in November, and the next three or four
months were as happy a time for me as I have ever known. I kept on
printing my Italian material in the Nation; I wrote criticisms for it
(not very good criticisms, I think now), and I amused myself very much
with the treatment of social phases and events in a department which grew