long shed in a poetic arrest, as if the failure of the appropriation for
its completion had been some kind of enchantment. In Boston, I early
presented my letter of credit to the publisher it was drawn upon, not
that I needed money at the moment, but from a young eagerness to see if
it would be honored; and a literary attache of the house kindly went
about with me, and showed me the life of the city. A great city it
seemed to me then, and a seething vortex of business as well as a whirl
of gaiety, as I saw it in Washington Street, and in a promenade concert
at Copeland's restaurant in Tremont Row. Probably I brought some
idealizing force to bear upon it, for I was not all so strange to the
world as I must seem; perhaps I accounted for quality as well as quantity
in my impressions of the New England metropolis, and aggrandized it in
the ratio of its literary importance. It seemed to me old, even after
Quebec, and very likely I credited the actual town with all the dead and
gone Bostonians in my sentimental census. If I did not, it was no fault
of my cicerone, who thought even more of the city he showed me than I
did. I do not know now who he was, and I never saw him after I came to
live there, with any certainty that it was he, though I was often
tormented with the vision of a spectacled face like his, but not like
enough to warrant me in addressing him.

He became part of that ghostly Boston of my first visit, which would
sometimes return and possess again the city I came to know so familiarly
in later years, and to be so passionately interested in. Some color of
my prime impressions has tinged the fictitious experiences of people in
my books, but I find very little of it in my memory. This is like a web
of frayed old lace, which I have to take carefully into my hold for fear
of its fragility, and make out as best I can the figure once so distinct
in it. There are the narrow streets, stretching saltworks to the docks,
which I haunted for their quaintness, and there is Faunal Hall, which I