The American Spirit in Literature : a chronicle of great interpreters by Bliss Perry
page 91 of 189 (48%)
page 91 of 189 (48%)
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liberator, like Lincoln, he seems also destined like Lincoln to
become increasingly a world's figure, a friend and guide to aspiring spirits everywhere. Differences of race and creed are negligible in the presence of such superb confidence in God and the soul. Citizens of Concord in May, 1862, hearing that Henry Thoreau, the eccentric bachelor, had just died of consumption in his mother's house on Main Street, in his forty-fifth year, would have smiled cannily at the notion that after fifty years their townsman's literary works would be published in a sumptuous twenty-volume edition, and that critics in his own country and in Europe would rank him with Ralph Waldo Emerson. Yet that is precisely what has happened. Our literature has no more curious story than the evolution of this local crank into his rightful place of mastership. In his lifetime he printed only two books, "A Week on the Concord and Merrimac Rivers"--which was even more completely neglected by the public than Emerson's "Nature"--and "Walden," now one of the classics, but only beginning to be talked about when its shy, proud author penned his last line and died with the words "moose" and "Indian" on his lips. Thoreau, like all thinkers who reach below the surface of human life, means many different things to men of various temperaments. Collectors of human novelties, like Stevenson, rejoice in his uniqueness of flavor; critics, like Lowell, place him, not without impatient rigor. To some readers he is primarily a naturalist, an observer, of the White of Selborne school; to others an elemental man, a lover of the wild, a hermit of the woods. He has been called the poet-naturalist, to indicate that |
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