The Golden Chersonese and the Way Thither by Isabella L. (Isabella Lucy) Bird
page 52 of 382 (13%)
page 52 of 382 (13%)
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while the streets of shops exceed in picturesqueness everything I have
ever seen. Much of this is given by the perpendicular sign boards, fixed or hanging, upon which are painted on an appropriate background immense Chinese characters in gold, vermilion, or black. Two or three of these belong to each shop, and set forth its name and the nature of the goods which are to be purchased at it. The effect of these boards as the sun's rays fall upon them here and there is fascinating. The interiors of the shops are lofty, glass lamps hang from the ceilings and large lanterns above every door, and both are painted in bright colors, with the characters signifying happiness, or with birds, butterflies, flowers, or landscapes. The shop wall which faces the door invariably has upon it a gigantic fresco or portrait of the tutelary god of the building, or a sheet of red paper on which the characters forming his name are placed, or the character Shan, which implies all gods, and these and the altars below are seen from the street. There is a recess outside each shop, and at dusk the joss-sticks burning in these fill the city with the fragrance of incense. As there are streets of shops and trades, so there are streets of dwelling-houses, but even the finest of these present a miserable appearance to the passers-by, for all one can see is a lofty and dimly-lighted stone vestibule, furnished with carved ebony chairs with marble seats and backs, and not infrequently with gigantic coffins placed on end, the gift of pious juniors to their seniors! A porter stands in this vestibule ready to open the lofty triple gate which admits to the courtyard of the interior. Many Chinese mansions contain six or seven courtyards, each with its colonnade, drawing, dining, and reception rooms, and at the back of all there is a flower garden adorned with rockeries, fish-ponds, dwarf trees, and miniature pagodas and bridges. |
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