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The Hand of Ethelberta by Thomas Hardy
page 63 of 534 (11%)
gentleman called Doncastle, who lived in a moderately fashionable square
of west London. All the friends and relatives present were nice people,
who exhibited becoming signs of pleasure and gaiety at being there; but
as regards the vigour with which these emotions were expressed, it may be
stated that a slight laugh from far down the throat and a slight
narrowing of the eye were equivalent as indices of the degree of mirth
felt to a Ha-ha-ha! and a shaking of the shoulders among the minor
traders of the kingdom; and to a Ho-ho-ho! contorted features, purple
face, and stamping foot among the gentlemen in corduroy and fustian who
adorn the remoter provinces.

The conversation was chiefly about a volume of musical, tender, and
humorous rhapsodies lately issued to the world in the guise of verse,
which had been reviewed and talked about everywhere. This topic,
beginning as a private dialogue between a young painter named Ladywell
and the lady on his right hand, had enlarged its ground by degrees, as a
subject will extend on those rare occasions when it happens to be one
about which each person has thought something beforehand, instead of, as
in the natural order of things, one to which the oblivious listener
replies mechanically, with earnest features, but with thoughts far away.
And so the whole table made the matter a thing to inquire or reply upon
at once, and isolated rills of other chat died out like a river in the
sands.

'Witty things, and occasionally Anacreontic: and they have the
originality which such a style must naturally possess when carried out by
a feminine hand,' said Ladywell.

'If it is a feminine hand,' said a man near.

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