and the monotony was relieved as far as possible by a brief
relation of famous adventures connected with any of the
personages -- as in the case of Atalanta and Hippomenes (frag.
14). Similarly the story of the Argonauts appears from the
fragments (37-42) to have been told in some detail.

This tendency to introduce romantic episodes led to an important
development. Several poems are ascribed to Hesiod, such as the
"Epithalamium of Peleus and Thetis", the "Descent of Theseus into
Hades", or the "Circuit of the Earth" (which must have been
connected with the story of Phineus and the Harpies, and so with
the Argonaut-legend), which yet seem to have belonged to the
"Catalogues". It is highly probable that these poems were
interpolations into the "Catalogues" expanded by later poets from
more summary notices in the genuine Hesiodic work and
subsequently detached from their contexts and treated as
independent. This is definitely known to be true of the "Shield
of Heracles", the first 53 lines of which belong to the fourth
book of the "Catalogues", and almost certainly applies to other
episodes, such as the "Suitors of Helen" (9), the "Daughters of
Leucippus", and the "Marriage of Ceyx", which last Plutarch
mentions as `interpolated in the works of Hesiod.'

To the "Catalogues", as we have said, was appended another work,
the "Eoiae". The title seems to have arisen in the following way
(10): the "Catalogues" probably ended (ep. "Theogony" 963 ff.)
with some such passage as this: `But now, ye Muses, sing of the
tribes of women with whom the Sons of Heaven were joined in love,
women pre-eminent above their fellows in beauty, such as was
Niobe (?).' Each succeeding heroine was then introduced by the