wall of office buildings, clubs, and hotels, whose ground
floors are fascinating with specialty shops. A milliner
tantalizes the passer-by with a single hat stuck knowingly
on a carved stick. An art store shows two etchings, and a
vase. A jeweler's window holds square blobs of emeralds, on
velvet, and perhaps a gold mesh bag, sprawling limp and
invertebrate, or a diamond and platinum la valliere,
chastely barbaric. Past these windows, from Randolph to
Twelfth surges the crowd: matinee girls, all white fox, and
giggles and orchids; wise-eyed saleswomen from the smart
specialty shops, dressed in next week's mode; art students,
hugging their precious flat packages under their arms;
immigrants, in corduroys and shawls, just landed at the
Twelfth street station; sightseeing families, dazed and
weary, from Kansas; tailored and sabled Lake Shore Drive
dwellers; convention delegates spilling out of the
Auditorium hotel, red-faced, hoarse, with satin badges
pinned on their coats, and their hats (the wrong kind) stuck
far back on their heads; music students to whom Michigan
Avenue means the Fine Arts Building. There you have the
west side. But just across the street the walk is as
deserted as though a pestilence lurked there. Here the Art
Institute rears its smoke-blackened face, and Grant
Park's greenery struggles bravely against the poisonous
breath of the Illinois Central engines.

Just below Twelfth street block after block shows the solid
plate glass of the automobile shops, their glittering wares
displayed against an absurd background of oriental rugs,
Tiffany lamps, potted plants, and mahogany. In the windows