"Read what it says," he asked.

Mrs. Carey in her even voice read the opposite page. It was a romantic
narrative of some Eastern traveller of the thirties, pompous maybe, but
fragrant with the emotion with which the East came to the generation that
followed Byron and Chateaubriand. In a moment or two Philip interrupted
her.

"I want to see another picture."

When Mary Ann came in and Mrs. Carey rose to help her lay the cloth.
Philip took the book in his hands and hurried through the illustrations.
It was with difficulty that his aunt induced him to put the book down for
tea. He had forgotten his horrible struggle to get the collect by heart;
he had forgotten his tears. Next day it was raining, and he asked for the
book again. Mrs. Carey gave it him joyfully. Talking over his future with
her husband she had found that both desired him to take orders, and this
eagerness for the book which described places hallowed by the presence of
Jesus seemed a good sign. It looked as though the boy's mind addressed
itself naturally to holy things. But in a day or two he asked for more
books. Mr. Carey took him into his study, showed him the shelf in which he
kept illustrated works, and chose for him one that dealt with Rome. Philip
took it greedily. The pictures led him to a new amusement. He began to
read the page before and the page after each engraving to find out what it
was about, and soon he lost all interest in his toys.

Then, when no one was near, he took out books for himself; and perhaps
because the first impression on his mind was made by an Eastern town, he
found his chief amusement in those which described the Levant. His heart