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Beethoven, the Man and the Artist, as Revealed in His Own Words by Ludwig van Beethoven
page 42 of 113 (37%)
which are also related in their spiritual contents. Singularly
enough, too, in both cases the struggle which is begun in the
first movement and continued in the third, is interrupted by a
period of calm, reassuring, soul-fortifying aspiration, which,
in the symphony as well as in the sonata, takes the form of a
theme with variations."--"How to Listen to Music," page 29.
H. E. K.]

88. "Sinfonia Pastorella. He who has ever had a notion of
country life can imagine for himself without many
superscriptions what the composer is after. Even without a
description the whole, which is more sentiment than tone
painting, will be recognized."

(A note among the sketches for the "Pastoral" symphony preserved
in the Royal Library at Berlin.)

[There are other notes of similar import among the sketches
referred to which can profitably be introduced here:

"The hearer should be allowed to discover the situations;"

"Sinfonia caracteristica, or a recollection of country life;"

"Pastoral Symphony: No picture, but something in which the emotions
are expressed which are aroused in men by the pleasure of the
country (or) in which some feelings of country life are set
forth."

When, finally, the work was given to the publisher,
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