Sunshine Sketches of a Little Town by Stephen Leacock
page 13 of 213 (06%)
page 13 of 213 (06%)
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If, then, you feel that you know the town well enough to be admitted into the inner life and movement of it, walk down this June afternoon half way down the Main Street--or, if you like, half way up from the wharf--to where Mr. Smith is standing at the door of his hostelry. You will feel as you draw near that it is no ordinary man that you approach. It is not alone the huge bulk of Mr. Smith (two hundred and eighty pounds as tested on Netley's scales). It is not merely his costume, though the chequered waistcoat of dark blue with a flowered pattern forms, with his shepherd's plaid trousers, his grey spats and patent-leather boots, a colour scheme of no mean order. Nor is it merely Mr. Smith's finely mottled face. The face, no doubt, is a notable one,--solemn, inexpressible, unreadable, the face of the heaven-born hotel keeper. It is more than that. It is the strange dominating personality of the man that somehow holds you captive. I know nothing in history to compare with the position of Mr. Smith among those who drink over his bar, except, though in a lesser degree, the relation of the Emperor Napoleon to the Imperial Guard. When you meet Mr. Smith first you think he looks like an over-dressed pirate. Then you begin to think him a character. You wonder at his enormous bulk. Then the utter hopelessness of knowing what Smith is thinking by merely looking at his features gets on your mind and makes the Mona Lisa seem an open book and the ordinary human countenance as superficial as a puddle in the sunlight. After you have had a drink in Mr. Smith's bar, and he has called you by your Christian name, you realize that you are dealing with one of the greatest minds in the hotel business. Take, for instance, the big sign that sticks out into the street |
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