to leave the house standing if he could bring it down about the
ears of its pretty and amiable voluptuaries; and he wielded the
pickaxe with a will. He treated the case of the inmates as one of
opium poisoning, to be dealt with by seizing the patients roughly
and exercising them violently until they were broad awake.
Tchekov, more of a fatalist, had no faith in these charming
people extricating themselves. They would, he thought, be sold up
and sent adrift by the bailiffs; and he therefore had no scruple
in exploiting and even flattering their charm.



The Inhabitants

Tchekov's plays, being less lucrative than swings and
roundabouts, got no further in England, where theatres are only
ordinary commercial affairs, than a couple of performances by the
Stage Society. We stared and said, "How Russian!" They did not
strike me in that way. Just as Ibsen's intensely Norwegian plays
exactly fitted every middle and professional class suburb in
Europe, these intensely Russian plays fitted all the country
houses in Europe in which the pleasures of music, art,
literature, and the theatre had supplanted hunting, shooting,
fishing, flirting, eating, and drinking. The same nice people,
the same utter futility. The nice people could read; some of them
could write; and they were the sole repositories of culture who
had social opportunities of contact with our politicians,
administrators, and newspaper proprietors, or any chance of
sharing or influencing their activities. But they shrank from
that contact. They hated politics. They did not wish to realize