Memoirs of Napoleon — Volume 05 by Louis Antoine Fauvelet de Bourrienne
page 32 of 125 (25%)
page 32 of 125 (25%)
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First Consul had expected; and, notwithstanding all the address of
Lucien, the communication was not heard without much uneasiness. But Lucien had prepared a speech quite to the taste of the First Consul. After dilating for some time on the efforts of the Government to obtain peace he deplored the tergiversations of Austria, accused the fatal influence of England, and added in a more elevated and solemn tone, "At the very moment when, the Consuls were leaving the Palace of the Government a courier arrived bearing despatches which the First Consul has directed me to communicate to you." He then read a note declaring that the Austrian Government consented to surrender to France the three fortresses of Ulm, Philipsburg, and Ingolstadt. This was considered as a security for the preliminaries of peace being speedily signed. The news was received with enthusiasm, and that anxious day closed in a way highly gratifying to the First Consul. Whilst victory confirmed in Italy the destinies of the First Consul, his brothers were more concerned about their own interests than the affairs of France. They loved money as much as Bonaparte loved glory. A letter from Lucien to his brother Joseph, which I shall subjoin, shows how ready they always were to turn to their own advantage the glory and fortune of him to whom they were indebted for all their importance. I found this letter among my papers, but I cannot tell why and how I preserved it. It is interesting, inasmuch as it shows, the opinion that family of future kings entertained of their own situation, and of what their fate would have been had Bonaparte, like Desaix, fallen on the field of Marengo. It is, besides, curious to observe the, philosopher Lucien causing Te Deum, to be chanted with the view of influencing the public funds. At all events I copy Lucien's letter as he wrote it, giving the words marked in italics [CAPS] and the numerous notes of exclamation which distinguish the original. |
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