I am going to the opera to-night, and you may go too; but I cannot take
you in the carriage, as Lannes, Berthier, and Lauriston are going with
me." I was very glad of this, for I much wished to hear one of the
masterpieces of the German school of composition. I got to the opera
before Bonaparte, who on his entrance seated himself, according to
custom, in front of the box. The eye's of all present were fixed upon
him, and he appeared to be perfectly calm and self-possessed. Lauriston,
as soon as he saw me, came to my box, and told me that the First Consul,
on his way to the opera, had narrowly escaped being assassinated in the
Rue St. Nicaise by the explosion of a barrel of gunpowder, the concussion
of which had shattered the windows of his carriage. "Within ten seconds
after our escape," added Lauriston, "the coachman having turned the
corner of the Rue St Honore, stopped to take the First Consul's orders;
and he coolly said, 'To the opera.'"

--[The following particulars respecting the affair of the infernal
machine are related by Rapp, who attended Madame Bonaparte to the
opera. He differs from Bourrienne as to the total ignorance of the
police:

"The affair of the infernal machine has never been property
understood by the public. The police had intimated to Napoleon that
an attempt would be made against his life and cautioned him not to
go out. Madame Bonaparte, Mademoiselle Beauharnais, Madame Murat,
Lannes, Bessieres, the aide de camp on duty, Lieutenant Lebrun, now
duke of Placenza were all assembled in the salon, while the First
Consul was writing in his cabinet. Haydn's oratorio was to be
performed that evening; the ladies were anxious to hear the music,
and we also expressed a wish to that effect. The escort piquet was
ordered out; and Lannes requested that Napoleon would join the