the too faithful nudity of costume, disgusted most of the spectators, and
Bonaparte more than any other. When the play was over he was quite
indignant. "It is a scandal," he said to me in an angry tone; "I ought
not to suffer such indecencies--I will give Lucien to understand that I
will have no more of it." When his brother had resumed his own dress,
and came into the salon, he addressed him publicly, and gave him to
understand that he must for the future desist from such representations.
When we returned to Malmaison; he again spoke of what had passed with
dissatisfaction. "What!" said he, "when I am endeavouring to restore
purity of manners, my brother and sister must needs exhibit themselves
upon the boards almost in a state of nudity! It is an insult!"

Lucien had a strong predilection for theatrical exhibitions, to which he
attached great importance. The fact is, he declaimed in a superior
style, and might have competed with the best professional actors. It was
said that the turban of Orosmane, the costume of America, the Roman toga,
or the robe of the high priest of Jerusalem, all became him equally well;
and I believe that this was the exact truth. Theatrical representations
were not confined to Neuilly. We had our theatre and our company of
actors at Malmaison; but there everything was conducted with the greatest
decorum; and now that I have got behind the scenes, I will not quit them
until I have let the reader into the secrets of our drama.

By the direction of the First Consul a very pretty little theatre was
built at Malmaison. Our usual actors were Eugene BEAUHARNAIS, Hortense,
Madame Murat, Lauriston, M. Didelot, one of the prefects of the Palace,
some other individuals belonging to the First Consul's household, and
myself. Freed from the cares of government, which we confined as much as
possible to the Tuileries, we were a very happy colony at Malmaison; and,
besides, we were young, and what is there to which youth does not add