of the carriage. While this kindness of his august brother was exciting
to the highest pitch the enthusiasm and sensibilities of the witnesses of
this scene, Prince Louis, seated on the front seat of the carriage, also
leaned out, trying to reassure the trembling young girl, and urging her
to comfort her mother, and count with certainty on the Emperor's
favorable consideration. The mother and daughter, overcome by their
emotion, could make no reply; and as the cortege passed on, I saw the
former on the point of falling in a swoon. She was carried into a
neighboring house, where she revived, and with her daughter shed tears of
gratitude and joy.

The Corps Legislatif had decreed that a statue, in white marble, should
be erected to the Emperor in their assembly hall, to commemorate the
completion of the Civil Code. On the day of the unveiling of this
monument, her Majesty the Empress, the princes Joseph, Louis, Borghese,
Bacciochi, and their wives, with other members of the imperial family,
deputations of the principal orders of the state, the diplomatic corps,
and many foreigners of distinction, the marshals of the empire, and a
considerable number of general officers, assembled at seven o'clock in
the evening at the palace of the Legislative Corps.

As the Empress appeared in the hall, the entire assembly rose, and a band
of music, stationed in the neighboring stand, rendered the well-known
chorus from Gluck, "How many charms! What majesty!" Scarcely had the
first strains of this chorus been heard than each one was struck with the
happy coincidence, and applause burst forth from all sides.

By invitation of the president, Marshals Murat and Massena unveiled the
statue; and all eyes were fixed on this image of the Emperor, his brows
encircled with a crown of laurel, and entwined with oak and olive leaves.