the square of Saint Mark, are brilliantly lighted, and crowds fill the
small decorated pavilions where coffee, ices, and refreshments of all
kinds are sold.

The Emperor did not adopt the Venetian mode of life, however, and retired
at the same hour as in Paris; and when he did not pass the day working
with his ministers, rode in a gondola through the lagoons, or visited the
principal establishments and public buildings of Venice; and I thus saw,
in company with his Majesty, the church of Saint Mark, and the ancient
palace of the Doge.

The church of Saint Mark has five entrances, superbly decorated with
marble columns; the gates are of bronze and beautifully carved. Above
the middle door were formerly the four famous bronze horses, which the
Emperor carried to Paris to ornament the Arch of Triumph on the Place du
Carrousel. The tower is separated from the church by a small square,
from the midst of which it rises to a height of more than three hundred
feet. It is ascended by an inclined platform without steps, which is
very convenient; and on arriving at the summit the most magnificent
panorama is spread out before you, Venice with its innumerable islands
covered with palaces, churches, and buildings, and extending at a
distance into the sea; also the immense dike, sixty feet broad, several
fathoms deep, and built of great blocks of stone, which enormous work
surrounds Venice and all its islands, and defends it against the rising
of the sea.

The Venetians have the greatest admiration for the clock placed in the
tower bearing its name, and the mechanism of which shows the progress
of the sun and moon through the twelve signs of the zodiac. In a niche
above the dialplate is an image of the Virgin, which is gilded and