Bourgoin, Rose Dupuis, Grosand, and Patrat; and everything was in order
before the arrival of the sovereigns.

Napoleon disliked Madame Talma exceedingly, although she displayed most
remarkable talent, and this aversion was well known, although I could
never discover the cause; and no one was willing to be first to place her
name on the list of those selected to go to Erfurt, but M. Talma made so
many entreaties that at last consent was given. And then occurred what
everybody except M. Talma and his wife had foreseen, that the Emperor,
having seen her play once, was much provoked that she had been allowed to
come, and had her name struck from the list.

Mademoiselle Bourgoin, who was at that time young and extremely pretty,
had at first more success; but it was necessary, in order to accomplish
this, that she should conduct herself differently from Madame Talma. As
soon as she appeared at the theater of Erfurt she excited the admiration,
and became the object of the attentions, of all the illustrious
spectators; and this marked preference gave rise to jealousies, which
delighted her greatly, and which she increased to the utmost of her
ability by every means in her power. When she was not playing, she took
her seat in the theater magnificently dressed, whereupon all looks were
bent on her, and distracted from the stage, to the very great displeasure
of the actors, until the Emperor at last perceived these frequent
distractions, and put an end to them by forbidding Mademoiselle Bourgoin
to appear in the theater except on the stage.

This measure, which was very wisely taken by his Majesty, put him in the
bad graces of Mademoiselle Bourgoin; and another incident added still
more to the displeasure of the actress. The two sovereigns attended the
theater together almost every evening, and the Emperor Alexander thought