cardinals, archbishops, bishops, etc. The arms, decorations, baton, and
laurel crown of the marshal were placed on the bier.

All the nave and the bottom of the aisles were covered with black with a
white bordering, as were the windows also, and the draperies displayed
the marshal's arms, baton, and cipher.

The organ was entirely concealed by voluminous hangings which in no wise
lessened the effect of its mournful tones. Eighteen sepulchral silver
lamps were suspended by chains from lances, bearing on their points flags
taken from the enemy. On the pilasters of the nave were fastened
trophies of arms, composed of banners captured in the numerous
engagements which had made the marshal's life illustrious. The railing
of the altar on the side of the esplanade was draped in black, and above
this were the arms of the duke borne by two figures of Fame holding palms
of victory; above was written: "Napoleon to the Memory of the Duke of
Montebello, who died gloriously on the field of Essling, 22d. May, 1809."

The conservatory of music executed a mass composed of selections from the
best of Mozart's sacred pieces. After the ceremony the body was carried
as far as the door of the church and placed on the funeral car, which was
ornamented with laurel and four groups of the banners captured from the
enemy by his army-corps in the numerous battles in which the marshal had
taken part, and was preceded by a military and religious procession,
followed by one of mourning and honor. The military cortege was composed
of detachments from all branches of the army, cavalry, and light
infantry, and the line, and artillery both horse and foot; followed by
cannon, caissons, sappers, and miners, all preceded by drums, trumpets,
bands, etc.; and the general staff, with the marshal, Prince of Wagram,
at its head, formed of all the general officers, with the staff of the