rejoicings, than that which preceded the disastrous year of 1812.

Some of the actors of the French Theater at Paris had accompanied the
court to Holland, and Talma there played the roles of Bayard and
d'Orosmane; and M. Alissan de Chazet directed at Amsterdam the
performance by French comedians of a vaudeville in honor of their
Majesties, the title of which I have forgotten. Here, again, I wish to
refute another assertion no less false made by the author of these
'Contemporary Memoirs', concerning a fictitious liaison between the
Emperor and Mademoiselle Bourgoin. I cite the passage in question:
"Mademoiselle Bourgoin, one of the delegates from the court of Thalia,
in order to be permitted to accompany the party on this journey, had
thoughtlessly succumbed to the temptation of making indiscreet
revelations; even boasting aloud that she attracted the Emperor to the
theater in which she played; and these boasts, which were by no means
virtuous, having reached the Emperor's ears, he would no longer attend
the theater. He charged Talma, for whom he had much consideration, to
urge the pretty actress to be silent; and to inform her that on the
slightest indiscretion she would be reconducted to France under good
escort."

This by no means agrees with what his Majesty said one day in regard to
this actress while at Erfurt. These words, which the author of the
Memoirs would do well to recall, prove that the Emperor had no views in
regard to her; and the most important proof of all, is the great
discretion which the Emperor always exercised in regard to his amours.

During the entire passage through Holland, the Emperor showed himself
cordial and affable, welcoming every one most kindly, and accosting each
in a suitable manner, and at no time was he ever more amiable or anxious