I will now give some fresh souvenirs which have just recurred to my mind
concerning the Court theater. At Saint-Cloud, in order to reach the
theater hall, it was necessary to cross the whole length of the Orangery;
and nothing could be more elegant than the manner in which it was
decorated on these occasions. Rows of rare plants were arranged in
tiers, and the whole lighted by lamps; and during the winter the boxes
were hidden by covering them with moss and flowers, which produced a
charming effect under the lights.

The parterre of the theater was usually filled with generals, senators,
and councilors of state; the first boxes were reserved for the princes
and princesses of the imperial family, for foreign princes, marshals,
their wives, and ladies of honor. In the second tier were placed all
persons attached to the Court. Between the acts, ices and refreshments
were served; but the ancient etiquette had been re-established in one
particular, which greatly displeased the actors,--no applause was
allowed; and Talma often told me that the kind of coldness produced by
this silence was very detrimental at certain parts where the actor felt
the need of being enthused. Nevertheless, it sometimes happened that the
Emperor, in testimony of his satisfaction, made a slight signal with his
hand; and then and also at the grandest periods we heard, if not
applause, at least a flattering murmur which the spectators were not
always able to repress.

The chief charm of these brilliant assemblies was the presence of the
Emperor; and consequently an invitation to the theater of Saint-Cloud was
an honor much desired. In the time of the Empress Josephine there were
no representations at the palace in the absence of the Emperor; but when
Marie Louise was alone at Saint-Cloud during the campaign of Dresden, two
representations a week were given, and the whole repertoire of Gretry was