rudely cut the two strings that Phrynis had added to music never stood to
examine whether that addition made better harmony, or that by its means
the instrument was more full and complete; it was enough for him to
condemn the invention, that it was a novelty, and an alteration of the
old fashion. Which also is the meaning of the old rusty sword carried
before the magistracy of Marseilles.

For my own part, I have a great aversion from a novelty, what face or
what pretence soever it may carry along with it, and have reason, having
been an eyewitness of the great evils it has produced. For those which
for so many years have lain so heavy upon us, it is not wholly
accountable; but one may say, with colour enough, that it has
accidentally produced and begotten the mischiefs and ruin that have since
happened, both without and against it; it, principally, we are to accuse
for these disorders:

"Heu! patior telis vulnera facta meis."

["Alas! The wounds were made by my own weapons."
--Ovid, Ep. Phyll. Demophoonti, vers. 48.]

They who give the first shock to a state, are almost naturally the first
overwhelmed in its ruin the fruits of public commotion are seldom enjoyed
by him who was the first motor; he beats and disturbs the water for
another's net. The unity and contexture of this monarchy, of this grand
edifice, having been ripped and torn in her old age, by this thing called
innovation, has since laid open a rent, and given sufficient admittance
to such injuries: the royal majesty with greater difficulty declines from
the summit to the middle, then it falls and tumbles headlong from the
middle to the bottom. But if the inventors do the greater mischief, the